Sunday, October 28, 2007

Hobart, Tasmania

Adeline and I visited Tasmania, Australia during our honeymoon back in 2004 and spent around 2 days in the city of Hobart. I especially love the scenic view around the harbour with many boats docking around the area. I still remembered vividly how we tucked into a nice big seafood platter in one of the floating restaurants there, and it was delicious!

I took many photos then with the intention to paint some of them and they have been with me for nearly three years now but I was either too busy or was being put off by the complicated scene.... until now

So, I decided to challenge myself and painted a full sheet painting of the harbour last week. I think it turned out pretty well. Here's the painting.

Paper: Fabriano Artistico 300gsm - stretched and stapled into stretching frame (20" x 28")

Paints: Winsor & Newton, Holbein, Rembradnt, Schmincke, all artist grade paints and some white gouache for highlights.



and here are some close-up shots...






Hope you like it. Comments and critiques are welcome as usual.

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Tuesday, October 16, 2007

Demo - Taman Ayun Temple, Bali

It's been ages since I did a full-sheet watercolour and I'd have to admit that I'm getting rusty at painting large-size watercolours.

Anyway, Singapore Watercolour Society (SWS) has been renting a room at Telok Kurau Studios, a Art Housing Scheme by Singapore's National Arts Council, as its official premises since the start of the project in 1997. To celebrate the 10th anniversary of Telok Kurau Studios, the management committee of the studios will hold an art exhibition and invited three SWS members to represent the society in this event. As the society's Secretary-General, I was chosen as one of the society's representatives but I haven't got any recent painting for the show, so I painted this full-sheet watercolour over the past two days.

This is a photo I took nearly 3 years ago while holidaying in Bali.



Step 1 - Drawing the outline



Step 2 - Painting the first glaze.
I did the sky with Cerulean Blue and mixed a little Cobalt Blue and threw in some Ultramarine Violet to add more interest to the sky. The roof of the huts are painted mostly in Yellow Ochre with a little touch of Turqoise Blue and Translucent Orange. The Pagoda-like buildings in the background are painted in Sepia, Yellow Orche and Burnt Sienna, while the foliage is painted in Sap Green, Azo Yellow and Cerulean Blue. I also painted the ground with light washes of Yellow Orche and Burnt Sienna.



Step 3 - At this stage, I started to build up the values of the various structures by glazing darks over the shaded areas, paying attention to the light source. Colours used are essentially the same as the previous stage but using more pigments than water but making sure I maintain the fluidity of my paints so as not to turn the darks into mud.


Step 4 - Finally, I added the finishing touches to various things throughout the paintings by painting in the details and decided to darken the foliage on the left, soften the clouds in the sky, emphasized the shadows, painted the plants on the foreground and the two figures, etc.



Below are some close-up to show you parts of the painting in detail.




I used mostly Winsor & Newton, Rembrandt, Schmincke, Holbein - all artists grade watercolour paints. Paper used is my favourite Fabriano Artistico 300gsm Rough.

I hope you like this little demo that I've put together. I can see quite obviously that the painting s I do at home more detailed compared to my outdoor works as I have the comfort and time to sit down and paint slowly. This is painted over 2 days (or should I say late nights), approximately over 8 hours in total. I hope this is good enough for the show. :)

Critiques and comments are welcome as usual.

EDITED: I realized that the distant tree on the top left-hand corner was running almost parallel with the roof line. So I changed the tree a little to get more variations. Also, I felt that the foreground foliage was weak and decided to darken it and add a few stronger and bolder strokes to punch it up. It served to anchor the whole composition better that way.


Now, that's better... :)

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Monday, October 01, 2007

Bridging Ties With Watercolours - A Success!

Here are some pictures taken during our exhibition Bridging Ties With Watercolours - Singapore Watercolour Society's 38th Annual Exhibition, which is also the second joint watercolour exhibition between SWS and Penang Water Colour Society (PWCS). It was held from 31 August - 4 September at Ngee Ann Cultural Centre, Singapore.

It was a success as everything went as planned, although we had initial hiccups when we lost the detailed painting information submitted by our Penang counterparts. If you're reading this, thank you Mr Khoo, for calling back to Penang to gather all the important information. We really appreciate your help.

We had a big crowd on the opening day, and we got some rave reviews from friends who attended it.... and I had another good reason to be excited this year too.... you'll understand when you see the pics below... :)

Preparation


Arrival of Guest-of-Honour, Mr Seng Han Thong


Visitors admiring the artworks on display


SWS President, Dr Michael Lim making his opening speech


President of PWCS, Mr Khoo Cheang Jin addressing the audience


Guest-of-Honour, Mr Seng Han Thong officiating the opening of the exhibition


Mr Seng Han Thong touring the exhibition hall,
accompanied by Dr Michael Lim and Mr Ong Kim Seng
(can you spot me at the background? Haa!)



(From L to R) Me, Ms Anne Lim, Mr D.J. Tan, Ong Kim Seng, Dr Michael Lim,
Mr Seng Han Thong, Mr Ho Yee Ping, Mr Khoo Cheang Jin

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and finally... me and my two paintings

Little India, Singapore .... SOLD on the opening day! Yay!!!


Flinders Street Station, Melbourne .... still available :P


You can see more photos of the event in my facebook album

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